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Showing posts with label reality shows. Show all posts
Showing posts with label reality shows. Show all posts
Friday, March 4, 2016
This Is NOT "Real Housewives"
“It happened that a fire broke out backstage in a theater,” writes Soren Kierkegaard, “The clown came out to inform the public. They thought it was a jest and applauded. He repeated his warning. They shouted even louder. So I think the world will come to an end amid the general applause from all the wits who believe that it is a joke.”
It’s ironic that FX is airing “The People vs OJ Simpson” right now, as Americans once again face their great Achilles Heel: race. For, despite the gains made in the last 60 years that have made our country more inclusive; despite electing our first African-American president, many in white America continue to harbor deep-seated resentment toward other races. It still remains, as Toni Morrison said, that “In this country American means white. Everybody else has to hyphenate.”
Until this time in modern history, white Americans have not had a viable political candidate behind whom they could throw their support; no one who clearly articulated their angst regarding their perceived loss of power. Enter Donald Trump. Perusing the comments section of many online articles regarding Trump’s cringe-worthy run for the White House reveals a scathing potpourri of racist sentiments straight out of a 1950’s Klan meeting. In fact, a cursory reading of such comments would give one the impression that white resentment has been simmering there, just under the surface, for quite some time, waiting for the right demagogic mouthpiece to articulate it.
In many ways, Donald Trump is the right’s Barack Obama: that one candidate who storms onto the otherwise staid political scene and threatens to shake things up, to bring “hope and change” to the disenfranchised and disillusioned. Yet, while Obama appealed to a large cross-section of American voters and advanced race relations in this country, Trump, although promising to take on the establishment, is also brazenly un-PC, calling out Mexicans and Muslims, mocking the disabled and women. And he is winning.
Barack Obama’s election, while it may have advanced our race-stunted society by leaps and bounds, has also served to deepen the angst of the white, male Republican base. For years we have heard them rail against reverse discrimination, affirmative action, and political correctness,” all code words for their terror at losing power in an increasingly inclusive social landscape; and, for years, we have ignored them, believing that they would just go away. But this is America, and in America, race never goes away.
According to sociologist Julien Freund, “There is an essence of politics…There are no politics without a real or potential enemy.”
Donald Trump is giving a voice to all of the American white male hysteria. The enemy is illegal immigrants, who we need to keep out by building a “yuuuuuuge” wall on our southern border; the enemy is Muslims, who we need to forbid from coming into our country and kill the families of terror suspects; the enemy is China, who we will really piss off with some “yuuuuuuge” tariffs. Basically, our enemies are anyone who doesn’t look like “us,” and by “us,” he means white Americans.
At a recent Trump rally, a protestor interrupted Trump and his only question to her, which he repeated into the microphone three times for perfect clarity was, “Are you from Mexico?” It’s very easy, when people are worried about unemployment, to place blame. Hitler famously did this with the Jews. It didn’t matter that the Germans had just lost World War I, and that the Versailles Treaty was a consequence of that; the Germans needed an enemy, someone on whom to pin all their blame. Until now, Hitler’s rise to power was seen as a poignant lesson in what not to do; but Trump seems to use it as a playbook. A former ex-wife even admitted that he kept a copy of Mein Kampf on the bedside table. Guess what? It is working.
It’s not the fact that we have spent exorbitant amounts of money fighting an endless war in the Middle East; it’s not that we continue to spend equally exorbitant amounts of money on our military-industrial complex. The reason the economy is down, the reason jobs are down, Trump says, is because of the Muslims and the Mexicans. Since American education became solely focused on memorizing answers to test questions and not on using basic critical thinking and analysis to solve problems, many gullible voters are buying into this. After all, it is always easier to blame someone else than it is to take the blame yourself.
It remains to be seen whether Donald Trump can sustain his support through the Republican convention and actually win the nomination. His party is already in panic mode and is pulling out all the stops (and old politicians) to try and derail him; but this only emboldens his fiery base by harkening back to the days of Goldwater or Reagan, both staunch anti-establishment heroes. It’s like that fiery base of hysterical white supporters are so desperate for a mouthpiece for their racism, that they aren’t even paying attention to half of what he is saying. They want their power back; they want to be on top again; and they aren’t going to let anything as inconvenient and boring as the lessons of history stop them.
If Donald Trump wins the presidency, we will all be forced to deal with the consequences of his trending global insults, either through wars, terrorist attacks, or tariffs. Trump’s election would actually weaken America’s stance in the world and hurt us economically. (Who’s really going to pay for that $10 billion wall on the Mexican border?) In fact, the only people who would prosper would be the military-industrial complex, because we would be in a perpetual state of war, kind of like we are now, only worse, because ALL of our allies would turn on us. Trump wants to be friends with Vladimir Putin, and we would end up fighting with them in Syria and Ukraine.
It’s easy to just laugh it off, as we watch this Republican debacle unfold; it’s easy to reassure ourselves with “It can’t happen here.” This has been one of the least civilized primaries in American history, and as Marco Rubio and Donald Trump engage in veiled insults about each other’s penis size, it’s easy to shake our heads, and turn the channel. But this is not just another episode of “Real Housewives.” This is the future of our country, and this is not just a script. Donald Trump’s words have real, global implications.
As we watch this debacle, we can only hope the American people heed the words of Bobby Kennedy and not Donald Trump. Kennedy believed, “The problem of power is how to achieve its responsible use rather than its irresponsible and indulgent use -- of how to get men of power to live for the public rather than off the public.” Hopefully the American public will realize that life is not a reality show, and that words do have consequences.
Monday, June 14, 2010
A Feminist Reading of Just about Everything
Caryl Churchill’s play, “Top Girls,” uses the trope of 80’s women’s liberation as the lens through which it views feminist history. The play features a character, a “modern woman,” who comes breezing into the employment agency, where she works as an executive, on a Monday morning, still ecstatically giddy over spending the weekend with her lover, while his wife was away. “It was just like we lived together,” she says wistfully.
Which brings me to this question: Does the modern portrayal of women in art contain any dignity, or is it merely the same message of grateful repression hiding behind a different disguise? The concept of “reality” shows springs to mind. The “Real Housewives” series on Bravo features a group of wealthy women who came into money and power through their husbands. “Kendra” features a young, beautiful wife and mother who came into money and fame through Hugh Hefner (and now her pro-football-playing husband). Is it hazardous to glorify these images of women at the expense of all of the other ones available to us today?
The feminist would argue, of course, that the media’s decision to glorify these women illustrates how subjugated we still are. These women acquired money and power through their relationships with men; in fact, it is because of men that these women are wealthy or powerful at all; and although they start their own charities and plan their own parties, these are more along the lines of “busy work,” meant to create rating-enhancing drama and lucrative tax write-offs (which, again, benefit their husbands).
An anti-feminist would disagree. She would see in this media glorification the underlying message of equality; for no matter how they chose to come into their money and power, they were still making conscious choices, a feat that represents true equality. Kendra may never be as famous as the man who discovered her, but she is certainly more famous than her husband. She is the star of her “reality” show, not because she kowtows to men, but because she makes all of her own decisions. People have the freedom to change the channel and find something more “feminist friendly” if they so desire.
Is that true? If we do change the channel, what other archetypes of women will be waiting to greet us? I thought about why there wasn’t a “reality” show about poor women, single-mothers struggling to get by, or teachers or doctors. When we do see women in these roles, they are fictionalized, decorated, and beautiful. What kind of “reality” is that?
Maybe I’m making too much of things again, I thought. Maybe images of men are just as shallow. Maybe it’s just a symptom of the times. Honestly, “The Situation,” from MTV’s “Jersey Shore,” cannot be doing anything to advocate for men either. The difference is, however, that there are a plethora of powerful men on TV. Powerful men are all around us; and they usually did not get there by relying on their wives’ money.
I would like to see the tables turned a bit: a “reality” show that features a group of young hunks with gorgeous bodies, former pool boys and gardeners, whose older wives are the bread-winners. Let’s watch the lively hijinks that ensue when their disparate personalities collide, as they use their spouses’ money and reputation to attract attention. Oh, and they have to stand out on street corners, usually drunk, in the middle of the night, verbally attacking one another, at least once every episode, kind of like “Jerry Springer” in Prada. Think anybody would watch it?
Which brings me back to “The Situation” and the fact that much of our society already does. We love to watch people humiliating themselves. Just look at competitive shows like “Wipeout,” on ABC. Men and women trip, slip, and fall off things, all in the name of money. When a society blindly chases profit, as America does, it objectifies everyone, regardless of gender. Until we begin teaching people authentic skills with which they can use to help others, we will continue to worship greed and money; and as long as we worship greed and money, women will go on being objectified, the only way they know how.
Which brings me to this question: Does the modern portrayal of women in art contain any dignity, or is it merely the same message of grateful repression hiding behind a different disguise? The concept of “reality” shows springs to mind. The “Real Housewives” series on Bravo features a group of wealthy women who came into money and power through their husbands. “Kendra” features a young, beautiful wife and mother who came into money and fame through Hugh Hefner (and now her pro-football-playing husband). Is it hazardous to glorify these images of women at the expense of all of the other ones available to us today?
The feminist would argue, of course, that the media’s decision to glorify these women illustrates how subjugated we still are. These women acquired money and power through their relationships with men; in fact, it is because of men that these women are wealthy or powerful at all; and although they start their own charities and plan their own parties, these are more along the lines of “busy work,” meant to create rating-enhancing drama and lucrative tax write-offs (which, again, benefit their husbands).
An anti-feminist would disagree. She would see in this media glorification the underlying message of equality; for no matter how they chose to come into their money and power, they were still making conscious choices, a feat that represents true equality. Kendra may never be as famous as the man who discovered her, but she is certainly more famous than her husband. She is the star of her “reality” show, not because she kowtows to men, but because she makes all of her own decisions. People have the freedom to change the channel and find something more “feminist friendly” if they so desire.
Is that true? If we do change the channel, what other archetypes of women will be waiting to greet us? I thought about why there wasn’t a “reality” show about poor women, single-mothers struggling to get by, or teachers or doctors. When we do see women in these roles, they are fictionalized, decorated, and beautiful. What kind of “reality” is that?
Maybe I’m making too much of things again, I thought. Maybe images of men are just as shallow. Maybe it’s just a symptom of the times. Honestly, “The Situation,” from MTV’s “Jersey Shore,” cannot be doing anything to advocate for men either. The difference is, however, that there are a plethora of powerful men on TV. Powerful men are all around us; and they usually did not get there by relying on their wives’ money.
I would like to see the tables turned a bit: a “reality” show that features a group of young hunks with gorgeous bodies, former pool boys and gardeners, whose older wives are the bread-winners. Let’s watch the lively hijinks that ensue when their disparate personalities collide, as they use their spouses’ money and reputation to attract attention. Oh, and they have to stand out on street corners, usually drunk, in the middle of the night, verbally attacking one another, at least once every episode, kind of like “Jerry Springer” in Prada. Think anybody would watch it?
Which brings me back to “The Situation” and the fact that much of our society already does. We love to watch people humiliating themselves. Just look at competitive shows like “Wipeout,” on ABC. Men and women trip, slip, and fall off things, all in the name of money. When a society blindly chases profit, as America does, it objectifies everyone, regardless of gender. Until we begin teaching people authentic skills with which they can use to help others, we will continue to worship greed and money; and as long as we worship greed and money, women will go on being objectified, the only way they know how.
Labels:
Caryl Churchill,
entertainment,
feminism,
Hollywood,
Kendra,
pop culture,
reality shows,
The Situation,
Top Girls,
TV,
women
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